Showing posts with label Sunday Snippet. Show all posts
Showing posts with label Sunday Snippet. Show all posts

Saturday, November 26, 2011

Sunday Snippet - Aphrodite, A Memoir of the Senses


One of my favorite books about food and eroticism is Isabel Allende's Aphrodite - A Memoir of the Senses, an unpretentious, witty, and earthy collection of stories, lore and recipes taken from history, art, literature, and life experience itself. I've snipped from this book in two or three previous posts but I lack the energy and time right now to link you to them, though you can, if you wish, do a search on the blog.

Below is an excerpt from Aphrodite about the perceived difference between eroticism and pornography, in the form of a letter written by Anaïs Nin to a consumer of pornography, with an introduction by Isabel Allende.



“Erotica is using a feather, pornography is using the whole chicken"

~ Isabel Allende

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

 About Eroticism 


 In the forties, Anaïs Nin and Henry Miller survived for a while by writing erotic stories for a man who paid them by the page. This client, known to them only as the Collector, remained anonymous, piquing the indignant curiosity of the two great authors who lent their talents and their pens to satisfy his caprices. This collector of pornography did not appreciate style and repeatedly asked them to "cut the poetry" and concentrate on the sex, because that was all he was interested in. Nin wrote him a letter in which she masterfully defines the essence of eroticism:

Dear Collector:

     We hate you. Sex loses all its power and magic when it becomes explicit, mechanical, overdone, when it becomes a mechanistic obsession.
      It becomes a bore. You have taught us more than anyone I know how wrong it is not to mix it with emotion, hunger, desire, lust, whims, caprices, personal ties, deeper relationships that change its color, flavor, rhythms, intensities.
     You do not know what you are missing by your microscopic examination of sexual activity to the exclusion of aspects which are the fuel that ignites it. Intellectual, imaginative, romantic, emotional. This is what gives sex is surprising textures, its subtle transformation, its aphrodisiac elements. you are shrinking your world of sensations. You are withering it, starving it, draining its blood.
     If you nourished your sexual life with all the excitements and adventures which love injects into sensuality, you would be the most potent man in the world. The source of sexual power is curiosity, passion. You are watching its little flame die of asphyxiation. Sex does not thrive on monotony. Without feeling, inventions, mood, there are no surprises in bed. Sex must be mixed with tears, laughter, words, promises, scenes, jealousy, envy, all of the spices of fear, foreign travel, new faces, novels, stories, dreams fantasies, music, dancing, opium, wine.
     How much do you lose by this periscope at the tip of your sex, when you could enjoy a harem of distinct and never-repeated wonders? No two hairs alike, but you will not let us waste words on a description of hair; no two odors, but if we expand on this you cry: Cut the poetry! No two skins with the same texture, and never the same light, temperature, shadows, never the same gestures; for a lover; when he is aroused by true love, can run the gamut of centuries of love lore. What a range, what changes of age, what variations of maturity and innocence, Perversity and art.
    We have sat around for hours and wondered how you look. If you have closed your senses upon silk, light, color, odor, character, temperament, you must by now be completely shriveled up. There are so many minor senses, all running like tributaries into the mainstream of sex, nourishing it. Only the united beat of sex and heart together can create ecstasy. 

Embrace

"The aim of life is to live, and to live means to be aware, joyously, drunkenly, serenely, divinely aware."
~ Henry Miller

Sunday, June 12, 2011

Sunday Snippet: Running with Scissors


In the early 2000's Augusten Burroughs' memoir Running with Scissors became an instant sensation. Locally, its popularity went over the top, as Burroughs was brought up in Amherst and Northampton. The talk around the book was great enough that I avoided it until after the hype wore off. It was hard to avoid learning things about the book and the author's strange and dysfunctional upbringing. I stuck to my guns, though, as I don't like to read a book or see a film when there is so much of other people's attention focused on it. I like to have a clear and open mind as a reader and draw my own conclusions based on the work itself and not on the swirl of opinions held by others.

Nine years passed and I forgot all about Running with Scissors until a couple of weeks ago when I heard that Burroughs' (that is his nom de guerre) mother Margaret Robeson, much written about in Running with Scissors, had published a memoir in her own defense. A few years ago I  read Burroughs' brother's memoir Look Me in the Eye, about his lifelong struggle with Asperger's, a form of autism. After finding Running with Scissors at my local library, I am now halfway through it and really enjoying it.

The NPR story on The Long Journey Home, Margaret Robeson's recently published memoir, intrigued me for a couple of reasons. Firstly, that three people in the same family should have quite distinct and at times very different perspectives on the same set of events. This is a testament to the complexity of individual experience and its resultant memories and how we interpret both. Secondly, I'll admit to being fascinated by Burroughs' characterization of his mother, who identified herself as a poet and had high ambitions of having her work published in The New Yorker. I'm waiting for inter-library loan of her book to arrive and I'm sure it will be a long wait, as local fans of Burroughs book clamor for it as a means of comparison.

Most memoirs have the feel of vindictiveness or are self-pitying portraits of betrayal and disappointment. Augusten Burroughs' doesn't strike me as self-pitying or vindictive, just as a story he had to write and publish, perhaps as a way of making sense of his strange childhood circumstances. It is also very funny without compromise to the seriousness of child neglect and the dangers of psychological quackery.

 Just a bit of background on the snippet, taken from the chapter Pure Projection: at the age of thirteen, Augusten Burroughs was sent to live and eventually became the legal charge of his mother's psychiatrist, given the name Dr. Finch in the memoir. Dr. Finch had several children, both teens and adults, some of them the children of former patients or patients themselves, living with him in his massive Victorian home. In this excerpt, Burroughs discusses how anger was addressed in the Finch household.

The most excellent fights involved five or more people. Eventually, the fight would be resolved the way all disputes were resolved:  Dr. Finch. He would be called at the office or the arguing group would travel en masse to his office, a hostile collective gang, and oust whatever patient he was seeing at the time. "Family emergency," someone would say. And the patient, whether a potential suicide or somebody suffering from a multiple personality disorder, would be transferred to the waiting room to drink Sanka with Cremora while Finch solved the dispute.

Finch believed that anger was the crux of mental illness. He believed that anger, unless it was expressed freely, would destroy a person. This explained the constant fighting in the house. Since they were tiny, the Finch children had been encouraged not just to sing , dance and jump rope but also to vent.

Anger was like the ground hamburger of our existence. Its versatility was inspiring. There was Anger Turned Inward, Repressed Anger, Misguided Anger. There were Acts Made in Anger, Things Said in Anger and people who might very well die if they didn't Face Their Anger.

So we screamed at each other constantly. It was like a competition and the prize was mental health. Every so often Finch would say, "Hope has been expressing a lot of healthy anger lately. I truly believe she's moved up to the next level in the stages of her emotional development. She's leaving the anal and moving into the phallic." So then everybody hated Hope because she walked around being so smug and emotionally mature. 

I can't wait to read Margaret Robison's memoir to see what she made of Dr. Finch who, by the way, died before the publication of Running with Scissors.

Sunday, April 10, 2011

Sunday Snipppet

It's National Poetry Month in the United States. I try throughout the year to post a few poems on The Pagan Sphinx. And when April rolls around, I kick it up a notch. I'm experimenting with posting poems  (or snippets of) by poets that I'm not familiar with. Previously I've gone with trusted favorites such as Emily Dickinson, Yeats, William Carlos Williams, e.e. cummings and Anne Sexton.

The poem for this Sunday is by Charles Bukowski. I've read him in quick spurts in the past. Usually while dusting my bookshelves! It always takes me all day to dust because I pull out a book and start reading. Before I'm aware of it, I've picked up and leafed through a dozen. Reading, dreaming, reminiscing...and sneezing from the dust!

When I went to dust the stacks this time, though, I was missing my one collection of Bukowski so I took myself over to Raven Books in Greenfield (electric kool-aid moment) and browsed the poetry and fiction sections. I came home with Charles Bukowski's Sifting Through the Madness for the Word, the Line, the Way and Kurt Vonnegut's God Bless You, Mr. Rosewater.

Perhaps in another installment of Sunday Snippet, I will take a passage from the latter. I've been on a Vonnegut kick recently, when I was really never a huge fan of his in the past. I did meet Kurt Vonnegut once and shook his hand but it was so uneventful in terms of actual details, that I won't get into it.  Well, I did get into it. That was it!

And now without further gibber, is the Charles Bukowski poem:


about competition

the higher you climb
     the greater the pressure

those who manage to
                                                                  endure
                                                                  learn
                                                                  that the distance
                                                                  between the
                                                                  top and the
                                                                  bottom
                                                                  is
                                                                  obscenely
                                                                  great.

                                                                 and those who
                                                                 succeed
                                                                 know
                                                                 this secret:
                                                                 there isn't
                                                                 one.

~Charles Bukowski


Sunday, March 6, 2011

Sunday Snippet - Emily Dickinson


The Brain—is wider than the Sky—
For—put them side by side—
The one the other will contain
With ease—and You—beside—
The Brain is deeper than the sea—
For—hold them—Blue to Blue—
The one the other will absorb—
As Sponges—Buckets—do—
The Brain is just the weight of God—
For—Heft them—Pound for Pound—
And they will differ—if they do—
As Syllable from Sound—

Emily Dickinson

Sunday, February 20, 2011

Sunday Snippet

'Erotic is using a feather,'' she said. ''Pornography is when you use the whole bird.''
Isabel Allende 


This is the third snippet I've taken from the book Aphrodite - A Memoir of the Senses by Isabel Allende. If you're coming upon this series for the first time, you can click here and here for the two previous snippets.

In the recipe section on Hors d'Oeuvres Allende writes this...

Tidbits are to the table
what kisses are
to lovers: a delicate demonstration
of what is to come later,
when you slip into something more
comfortable. They are served to accompany a cocktail
or glass of white wine before moving
to the table. Or, in some cases,
when the urgency to make love
is so strong that
there is no time to lose,
they can take the place of a meal.

and includes several fine recipes. I have chose the one with figs, as I am a lover of figs. Specifically, figs bring me back to my childhood in Portugal, where fig trees are as abundant as apple trees in the Northeastern U.S. So for me, a fig is not just an item I can pick up at the grocery store for $2.50 per piece but the fruit I once picked in a friend's cultivated fig orchard in Portugal, along with my cousins, on a hot summer day in the late 90's. There were so many spoiling figs on the ground beneath each tree that our hostess insisted on getting us bags to take as many home as we wanted. I would have collected more, had I not been so busy eating them as I walked along, content to be in the moment with an abundance of my favorite fruit and the hot sunshine on my bare arms and neck. What a feeling!

I wish I'd known about this recipe then.






Widower's Figs
pg. 230
These tidbits lead to sin, and you always want more. The bursting figs suggest a certain urgency, and everyone appreciates the sensuality of the sweet and spicy combination.

Ingredients

 1 scant cup (8 ounces) semi-hard white cheese,                    
such asgoat cheese
1 tablespoon Salsa Picante
1 large apple or grapefruit 
4 large ripe figs

Preparation

Cut the cheese into 1/2 inch cubes and coat in the salsa picante. Spear on cocktail picks and insert into the apple or grapefruit (I prefer the grapefruit). Place in the center of a round plate and surround with peeled and quartered figs.

Saturday, February 12, 2011

Sunday Snippet


 The second in a series of snippets from my current read Aphrodite (A Memoir of the Senses)
Last week's snippet is here.

From the Chapter


How to define an aphrodisiac? Let's say it is any substance or activity that piques amorous desire. Some have a scientific basis, but most are activated by the imagination. Cultures and individuals react to them in their own way. For thousands of years, humanity has experienced with countless possibilities in an incessant search for new stimuli, a search that led to pornography and the genesis of erotic art ancient as the dawn of millennary cave paintings. The difference between the two is a question of taste; what is erotic for one may be pornographic for another. For the Victorians, Evil was everywhere. They covered the legs of their tables to preclude bad thoughts, and a young lady was not allowed to hang a man's portrait on the walls of her room, for fear that the painting might look on as she was undressing. It didn't take much to excite those good folks.

Some aphrodisiacs function through analogy, like the vulva-shaped oyster or phallic asparagus; others by association, because they remind us of something erotic. They also work through suggestion, because they remind us of something erotic. They also work through suggestion, because we believe that when we eat the vital organ of another animal --- and in some cases, that of another human, as happens among cannibals ---we absorb their strength. In general, anything with a French name seems aphrodisiac. Serving mushrooms with garlic isn't at all the same as champignons a la Provencal, nor is ham and cheese comparable to croque-monsieur. The same criteria apply on the battlefields of love. It is a good idea to assign suggestive names to the different postures, as in the enlightened erotic manuals of Asia. It isn't necessary to remember the authentic terms; you can invent them and no one will be the wiser; delicate butterfly in somersault, swooning lotus flower in lake with ducks, and others of that ilk.  Of course, we cannot overlook therapeutic stimulants, plants, and hormones, but after testing a good number of them I believe that sensorial stimuli are more effective:  daring games, massages, shows, erotic literature and art.


February is a good time to visit a good grocery store or whole foods/gourmet market. I kept the winter blues at bay today by shopping for choice ingredients for dark chocolate mousse with roasted almonds. I also bought a used book and some French lavender soap.

Good weekend, everyone,

Pagan Sphinx

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