Showing posts with label Gaugin. Show all posts
Showing posts with label Gaugin. Show all posts

Monday, August 30, 2010

My World Tuesday

 
Finally, an art post!  I have been very lazy with composing art posts lately. Part vacation wind-down, part lack of inspiration, I have had more fun posting photographs from my summer travels. The inspiration for seeking out and enjoying art is always there. Visits to four art museums this summer, two if not three of which are world class museums, have been fantastic and given me much to think about and to explore further. But narrowing down what I want to focus on for posts has been difficult for me and I've avoided trying.

It's not easy to separate out what interests me and what may be accessible and interesting for others.  But just yesterday and practically up the road a ways, I visited one of my favorite museums The Sterling and Francine Clark Art Institute in the Berkshires of western Massachusetts. There is an exhibition titled Picasso Looks at Degas going on at The Clark through mid-September. It was packed with visitors; a testimony to the wide popularity of both Picasso and Degas. Perfect, I thought, for a post that reveals a little something of what the exhibition content held in store. If you are interested to learn more about the exhibition, please follow the links. Better yet, if you live in the area or are visiting, check out The Clark in Williamstown.The grounds are beautiful, with views of Mount Greylock and a tiny but very nice little downtown near Williams College, which boasts a fine little museum of its own.


 By 1904, when Picasso settled in Paris, he had already responded to some of Degas's celebrated pictures—such as In a Café (L'Absinthe) and Woman Ironing

Picasso:  Portrait of Sebastià Junyer i Vidal, 1903
Degas:  In a Café (L'Absinthe), 1876



 


  A few more shots of  my favorite works in the permanent collection at the Clark. You may recognize one or two of them, if you visit here frequently!


Degas (and a whole wall of impressionism)

Lautrec

 Gaugin
Thank you to the hosts of My World for providing this opportunity to brag about my surroundings! 

 

Saturday, February 6, 2010

What Artist Would You Choose to Paint Your Portrait Part II

In this post, What Artist Would You Choose to Paint Your Portrait, I asked my readers and blog pals to give me the names of artists (living or dead) whom they would choose to paint their portrait.

Since then, I've received responses from more folks.  Flor Larios, an artist herself and proprietor of the Etsy shop Flor Larios Art, comes a request for a portrait by either her inspiration Frida Khalo or by Gaugin. You'll love Flor's beautiful Mexican inspired paintings, prints, boxes and other artworks. I've purchased a couple of prints as gifts and some beautiful note cards for Christmas.

While it's true that Frida mostly painted self-portraits, I'm particular fond of this portrait of her sister Cristina Khalo:


My Sister Cristina Khalo
1928


My Sister Cristina Khalo
Detail

And also for Flor, a favorite Gaugin of mine. With her long, dark hair, she would make a perfect subject in a Gaugin painting.

Three Tahitians
1899 


Steve of the blog Color Sweet Tooth, also a fine artist, said that if Friedensreich Hundertwasser painted portraits, he would be his choice. This is the closest I came to anything resembling a portrait. Thanks, Steve, as I'd never heard of him. Incredibly good stuff to sink my head into in the very near future.




Steve also thought of Klimt. I thought of Klimt too. What woman wouldn't think of Klimt to paint her portrait.  But finding any portrait of a man by Klimt proved to be difficult. Here is one I found:


Joseph Pembauer
Pembauer was a pianist and piano teacher of the times in Vienna. The frame is also A Klimt design. I believe this is a glicee print.

And because Klimt's portraits of women are so extraordinary, I leave it to your imagination how he may have painted a male portrait in the same vein in this one, without the woman. Just a thought.



Libhom chose Man Ray, who is also a huge favorite of mine. Here is a sample:



Cloudia of wasn't fussy about who should paint her portrait as long as she was painted as a nymph. What exactly is a nymph, you ask? There are many. Read up on them here. Depicted here, however, is a particular kind of nymph called a Haliai.


Haliai
Quite simply, sea nymphs. They show up under this name in a random play by Sophocles and in Callimachus' Hymn to Artemis (read it!), but doesn't seem to be as commonly used as the more general "nymph" or the more specific "Nereid" or "Oceanid". Haliai comes from the word for "sea" and also means "salt". Oh, for a moment of amusement,  glance to the right at the poll results. I'm really curious about who has had their portrait painted and by whom. Come on! Fess up!  ;-) I was the only one who voted that I would have to think about it.  I had such a hard time choosing just one portrait. There were so many, for the various stages of my life; finally settling on Mona Lisa. I can't give Mona up...   I hope you're having a good Saturday. Peace, love and all groovy things, Pagan Sphinx

Friday, January 8, 2010

The Friday Evening Nudes


Welcome to the January 8 edition of The Friday Evening Nudes. Stoke the fire and enjoy. Oh, don't forget to click the images for extra-voluptuousness.



Romaine Brooks
American
1874-1970


 Bather
 Zinaida Serebriakova 
Ukranian

At this moment, there is only one request for a nude, from Cloudia for Gypsy, but I could not find one without clothes!  ;-)  Nonetheless it is a splendid painting. Rousseau is one of my favorite painters since childhood.







The Sleeping Gypsy,
Henri Rousseau

This is, after all, the Friday Evening Nudes, so here is another beauty from Rousseau


Hmmmmm...   :-)


 Self-Portrait as a Soldier

Ernst Ludwig Kirschner



The Spirit of the Dead 
Gaugin

(oh, even the name sends tingles up my spine! ;-)

And in case you missed this in the post A Call for Nudes, this link throws a sort of feminine spin on Gaugin's women.

Gaugin's Postcards from Polynesia

The one below is not a request but a dedication to my partner; my best friend WP (you are running neck in neck with Queen Lentil Bean as a best friend. And that's saying a lot!)
You appreciate Frida more than anyone I've ever known.
I heart you.





Manet
dejeuner herbe 
(This work spun up a lot of controversy in its time and is now considered Manet's best work)

1863
I have nothing further than to wish you a good weekend, a safe journey somewhere in the mind and don't neglect your heart.

Pagan Sphinx

Thursday, January 7, 2010

A Call for Nudes

Does anyone have anything to submit for tomorrow's Evening Nudes? Calling one and calling all.  And please, don't anyone mention Olympia. ;-)

Oh, and this little bit for you to consider

Gauguin's Postcards: The naked truth about women in Polynesia by Sarah Unger

Monday, December 28, 2009

Letters from Vincent

Dear Friends and Readers,

I've started a new art feature on the blog. Letters from Vincent will post whenever I have time and inspiration to create a post and whenever the whim strikes me!

I recall vividly the first time I noticed a Van Gogh painting. When I was a fourth grader, I had an evil art teacher. She was so enraged by the bad behavior of my class that she meted out a punishment: for an entire month we would have to create a scrapbook and fill it with images of things we considered to be beautiful and write an explanation as to why we thought it was beautiful. These images could be photographs, original drawings or magazine cut-outs. I don't recall anything else I included in my scrapbook except for an image I clipped from  Life magazine of one of Van Gogh's sunflower paintings. If I'm not mistaken,it was the cover of a book in a Book of the Month ad.

Ironically, it was this assignment meant as punishment that started a life-long passion for art and artists. Van Gogh was especially endearing to me because, as a sensitive and lonely kid, the story of his life, which I learned mostly by looking at art books and reading from his letters to his brother Theo, touched me very deeply.

As I've delved further into my art interests, I'd lost touch with this artist. Perhaps because he is now so well known; his work duplicated ubiquotously. Or maybe like so many things from our childhoods that are given up as they are replaced with things more mature. These posts are my tribute to Vincent:  tucked away but never forgotten.

In the Letters from Vincent posts, I'll take an excerpt from a letter at random and illustrate it with an image or two; the latter of which should put the event, thought or idea conveyed into some coherent context and timeline. If anyone has suggestions, please feel free to mention them. And comments are most welcome, if you have knowledge, thoughts, reactions to share. 

Yours,
Pagan Sphinx


To brother Theo; an excerpt from a letter written in Arles,
c. 9th. July 1888
read entire letter here


I am thinking a lot about Gauguin, and I would have plenty of ideas for pictures, and about work in general.I have a charwoman now for 1 franc, who sweeps and scrubs the house for me twice a week. I am banking very much on her, counting on her to make our beds if we decide to sleep in the house.

.

Van Gogh started the first version mid October 1888 while staying in Arles, and explained his aims and means to his brother Theo:



This time it simply reproduces my bedroom; but colour must be abundant in this part, its simplification adding a rank of grandee to the style applied to the objects, getting to suggest a certain rest or dream. Well, I have thought that on watching the composition we stop thinking and imagining. I have painted the walls pale violet. The ground with checked material. The wooden bed and the chairs, yellow like fresh butter; the sheet and the pillows, lemon light green. The bedspread, scarlet coloured. The window, green. The washbasin, orangey; the tank, blue. The doors, lilac. And, that is all. There is not anything else in this room with closed shutters. The square pieces of furniture must express unswerving rest; also the portraits on the wall, the mirror, the bottle, and some costumes. The white colour has not been applied to the picture, so its frame will be white, aimed to get me even with the compulsory rest recommended for me. I have depicted no type of shade or shadow; I have only applied simple plain colours, like those in crêpes.





Van Gogh's bedroom at Arles


Place Lamartine in Arles, Bouches-du-Rhône, France, known as his Yellow House. The door to the right was the opening to the upper floor and the staircase, the door to the left served as the guest room he held prepared for Gauguin

Monday, November 23, 2009

What's Goin' On (Long Post With Good Pictures)

Hello, all

One of my classes is over - the grueling one. The other continues into January but with only that one to concentrate on, I think I will have more time for other things such as spending extra time with my family for the holidays, interests and blogging. Family stuff will predominate a couple of weeks into December. My mother is currently in the states with my brother and his family and will join us at our home mid-December and through Christmas. Challenges abound but nothing I can't handle if I make it a priority. I wish I could have been that rational about it last week. Everything caught up with me after weeks of being sick and overwhelmed.

Last week was quite a ride, as things escalate into the holidays at my dysfunctional place of employment. I wrote a post about it but the snark level left a bitter taste in my mouth and I decided not to press the publish button. Too bad my soul can't handle snark. It's always my best writing! ;-)

Whenever I have a moment, I sit down at the ancient laptop and look further into artists from the file labeled look into. I have amassed so many images that the external hard-drive is already full and I'm looking into what to do for extra space. One of my main art preoccupations right now is learning about women artists and their lives. But when I do searches, I invariably find a whole bunch of other interesting art tidbits and I feel like a kid in a candy shop!

My knowledge of artists and art history is growing by leaps and bounds. It's been a long time since I felt this stimulated by any one interest and it makes me feel great.

With so many gorgeous and interesting images in my files, I felt I needed an online space to keep track of my favorites; a place I can revisit to find how I've categorized each image. I created a daily art diary called Give Us This Day (Our Daily Painting). This blog's header has something in common with The Pagan Sphinx header in that both display images of oil paintings hung in the same museum:  The Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. Nymphs and Satyrs by William Bougeareau and Young Christian Girl by Paul Gaugin. Two very different styles by two very different painters but both with personal meaning for me, since I've seen them both so many times, up-close and personal, and always surrounded by people I love. Well. Except once when I was dating after my separation from my ex- husband - ironically that was my worse date, ever. :-D  I will spare you. Suffice it to say that the man intensely disliked and openly criticized every piece of art his gaze fell upon. It was not clear whether he fancied himself an educated critic or if he just didn't like art. Any way ya look at it - Mr. Wrong. Besides, I don't like pony-bead necklaces on men!  :-D  Listen, I really did spare you the details, okay?  ;-)


If you click on the Paul Gaugin image, it will take you to my daily art diary. I don't have time to write any personal thoughts on the paintings or vignettes to accompany each, but there are some really beautiful paintings posted there already, with basic information such as one would get on a visit to a real museum. You don't have to comment, though you can. But Blogger does this thing to me that really buggers up my blogging:  I am frequently unable to leave comments with my google ID. In  the case of Give Us, I am unable to leave comments on my own blog. So. My friend Linda of Vulture Peak Muse has left some lovely comments and it makes me happy that she enjoys visiting. 83% Happy. That's one of my post tags. I should tell you the entire meaning behind that in a post one day, though I think a couple of people have caught on to that already! Sorry about my esoteric qualities. I'm basically a shy, private person and I am continuously frustrated by my inability to write a personal story well. I can to satisfy myself. I guess that will have to do!     :-)

I took a path there. And I am now about to return to an earlier thread in this post. Classes. I'm having a time of it getting used to being an older student. What seems to be bugging me the most is the way that three out of three instructors I've had thus far fail to understand at times that they are teaching adults. My classes primarily consit of post-bachloriate students or masters level students seeking alternate teaching licenses. My first instructor looked at me with a sad face once and said in almost a whisper:  "you're giving me a headache". Okay, lady.  The other one verbally chewed the head off of a student who was feeling a tad frustrated - with him and for good reason. I may just finish off my current course and use the ones I've completed as padding for my resume and to indicate that I've upgraded my teaching skills. And. Call It a Day. This idea calms me. Sigh. Since I discovered the benefits of staying calm and peaceful, I tend to eschew all the rattle. Except, of course as it applies to Shake Rattle and Roll. I still love my rock music and at times, I like it really loud. And beautifully written and interpreted folk songs. These are among the things that keep me going.

The state of the world? I'm tuning out. A loud rattle. It makes my head hurt. I have no emotional or mental space for it at the time being. My neighbors in Maine voted against marriage equality. I'll just drive through on my way to Nova Scotia, thank you. A gourmet picnic lunch or two is being planned already for next summer, so we don't have to spend money in Maine. See, I still care. It's just that I have to be selective.  ;-)


My daughter (SG1) and daughter-in-law  (The Beloved) on their wedding day, outside of San Francisco City Hall. They celebrated their one year anniversary on October 28, 2009. 


Look soon for an Artist of the Week post on the work of French artist and painter's model, Suzanne Valadon. 



Suzanne Valadon


Another gem of an artist I've discovered is Canadian Emily Carr.  As always click on images to enjoy extra voluptuousness.






I apologize for the lack of rhyme or reason to the posts. The feature Artist of the Week is more like "artist of the month" and I've let some of the others go by the wayside as well. I saw some beautiful paintings of animals on a recent museum visit and wanted to share some for the Art Animalia posts. There is just not enough time to amuse myself! 


 It's a photo I took of a painting at the museum of British Art at Yale University. I think the artist is Stubbs - sounds like a proper English name to me!


And because I don't post  my photographs on The Pagan Sphinx nearly enough, here is one I took earlier this Fall on a day trip to Vermont.




See you 'round the blogosphere.
Love,
Pagan Sphinx



Sunday, October 4, 2009

The Friday Evening Nudes on Sunday...

and in the afternoon, yet.

Last week, I received a complaint from a priest about The Friday Evening Nudes...



Sir Lawrence Alma-Tadema


Balthus


Franz Marc


Pierre Puvis de Chavannes


Adam and Eve
Tamara de Lempicka


Paul Gaugin


Pierre Puvis de Chavannes

  

 Girl With Horizon Quilt
George Bellows

that the nudes were..uh...not nude enough. No further complaints from clergy, please.  ;-) 




Friday, July 4, 2008

The Friday Evening Nudes

Paul Gaugin
Study of a Nude
Suzanne Sewing
1880

Joan Miro'
Nude With Mirror
1919

Bouguereau Apres-le-bain-
1875
Charles Edward Boutibonne
Sirens
French1816-1897


No news; just nudes.

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