1861-1932
Self-portrait
French painter. He came to Paris in 1882 and studied art at the Ateliers of Bonnat and Cormon, where he was a contemporary and friend of Henri de Toulouse-Lautrec, Emile Bernard and Vincent van Gogh. His early work shows the influence of Impressionism and of Edgar Degas. In 1887 Anquetin and Bernard devised an innovative method of painting using strong black contour lines and flat areas of colour; Anquetin aroused much comment when he showed his new paintings, including the striking Avenue de Clichy: Five O’Clock in the Evening (1887; Hartford, CT, Wadsworth Atheneum) at the exhibition of Les XX in Brussels and at the Salon des Indépendants in Paris in 1888. The new style, dubbed Cloisonnisme by the critic Edouard Dujardin (1861–1949), resulted from a study of stained glass, Japanese prints and other so-called ‘primitive’ sources; it was close to the Synthetist experiments of Paul Gauguin and was adopted briefly by van Gogh during his Arles period. Anquetin’s works were shown alongside Gauguin’s and Bernard’s at the Café Volpini exhibition in 1889, where they attracted considerable attention among younger artists.
The contemporary critic Edouard Dujardin praised Anquetin for inventing a style based on heavy outlines and flat areas of color, which resembled cloisonne enamels.
In 1882, he came to
Paris and began studying art at
Léon Bonnat's studio, where he met
Henri de Toulouse-Lautrec. The two artists later moved to the studio of
Fernand Cormon, where they befriended
Émile Bernard and
Vincent van Gogh. wikipedia
Photograph from 1886 of Vincent Van Gogh and Emile Bernard
After viewing this painting Van Gogh wrote in a letter that influenced his painting
Cafe Terrace at Night (below) . I had previously assumed it was the other way around.
Portrait of Henri de Toulouse Lautrec
The Van Gogh Museum recently acquired this painting by Anquentin
Moulin Rouge
1893