Showing posts with label Illustrators. Show all posts
Showing posts with label Illustrators. Show all posts

Tuesday, August 28, 2012

Pagan's Potpourri

I have a few things to share with you from my travels on The Web.  I hope you enjoy them.




You never know who you'll meet at the pool, after hours.


Swimming pool from Alexandra Hetmerova on Vimeo.




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If you feel the need to insult someone, why not do it with a literary flair?





Hence rotten thing! Or I shall shake thy bones out of thy garments.
Taken from: Coriolanus




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A lovely and comprehensive collection of the illustrations of Kay Nielsen.






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Friday, April 27, 2012

Edward Gorey

Edward Gorey

(February 22, 1925 – April 15, 2000)

 This goes out by special request to my friend Marc Ponomareff.




Pity the poor books editors in the 1950s when confronted with yet another manuscript by the persistent Edward Gorey. Back then no one knew quite what to call his small gems with their manic pen-and-ink illustrations of overstuffed drawing rooms, set somewhere between the Edwardian era and the 1920s, and with punch lines taken from the unspeakable horror of their well-dressed characters’ untimely demises. 

The rest of the article is here and well worth the time to read, as it contains several humorous anecdotes that depict the eccentric Gorey quite well.








 “The Curious Sofa,” which was published under the anagrammatic name “Ogdred Weary” and contains the immortal line: “Still later Gerald did a terrible thing to Elsie with a saucepan.”






“My mission in life is to make everybody as uneasy as possible. I think we should all be as uneasy as possible, because that's what the world is like.” 







An Alphabet Book


















“All the things you can talk about in anyone's work are the things that are least important.... You can describe all the externals of a performance - everything, in fact, but what really constitutes its core. Explaining something makes it go away, so to speak; what's important is what's left over after you've explained everything else.” 









“Nonsense really demands precision. Like in the Jumblies. Their heads are green and their hands are blue. And they went to sea in a sieve. Which is all quite concrete, goofy as it is.”

~Edward Gorey















Interviewer: What is your greatest regret? 

Gorey: That I don't have one” 














“What is, is, and what might have been could never have existed.” 



























"Books. Cats. Life is good.” 















(Note to readers:  I've had a lot of problems with the template, which have resulted in changes to the look of the blog and with which I am not at all happy. Until I find something that works and that I can live with visually, this will have to do. If you have any suggestions or comments about what the new look, please let me know.)  
~Gina



Web resources for all things Gorey




Review of Ascending Peculiarity, a compilation of interviews with Edward Gory.






Monday, July 4, 2011

Art Foraging - The Latest Catch

Art foraging on the web...sometimes remarkable; always eclectic.


ENCINITAS, CA (AP).- The "Surfing Madonna" appeared just before Easter weekend and has been stirring a soulful debate in this Southern California beach town ever since. The striking mosaic of the Virgin of Guadalupe riding a wave was affixed to a wall under a train bridge by artists disguised as construction workers in April. It technically is graffiti that should be removed under the law. But the surfing Madonna's beauty is drawing a mass following, and even city officials who say she must go acknowledge they too have been taken by her. They have spent thousands to hire an art conservation agency to find the best way to remove her without causing damage to the art.  entire story here




 I recently discovered the work of Argentine artist Raquel Forner (April 22, 1902 – June 10, 1988), who mixed expressionist and surrealism to create her works. There isn't much biographical information on her other than this wikipedia entry, which mentions her artistic interest in the Spanish Civil War (she spent time in Spain) and in depictions of strong female images. 




(this, to me, is reminiscent of De Chirico)






And because I have a few friends who are R. Crumb fans (Susan, Joe?), here are a few images of his I discovered while art surfing recently. Enjoy!



(worth the visit!) 

For you Brits (or world travelers) lucky enough to access it - the Tate Movie Project, because who doesn't love animation?  :-)


Monday, January 3, 2011

On the Tenth Day of Christamas and The Other 15 Films Meme

illustration from Beatrix Potter's Rabbits' Christmas Party

I am almost out of steam for the last two days of Christmas but I'm still all fired up about the lists of fifteen films some of you groovy readers have left for me in comments or on your blog. Those of you who said fifteen films is too few to list - I agree!

Here is the second list of fifteen and I'm sure I could still come up with more, quite quickly.

 1. Hannah and Her Sisters - Woody Allen
 2. Priscilla of the Desert 
 3. Boys Don't Cry 
 4. Fargo (thanks for the reminder!)
 5. Run, Lola, Run
 6. E.T. (another one I was reminded of)
 7. The Wizard of Oz
8.  Love and Anarchy - Lina Wurtmuller
9.  The Red Violin
10.The Song Remains the Same - the Led Zeplin movie
11. Pecker - John Waters
12. I Shot Andy Warhol
13. Capote
14. The Last Picture Show
15. Monster's Ball







Saturday, January 1, 2011

On the Eighth Day of Christmas...

The sweet side of Gorey, I guess.   :-)  

This is the eighth day. By now I am  turned into a lizard, for sure.



"If this were really me, I would have a red ribbon tied to my tail".  ;-)  I wish you'd find the ante-dote for this, please!"


Tuesday, May 11, 2010

Fragments of Fairytales

read entire tale by clicking above


Gustave Dore


 "Puss in Boots", is a French literary fairy tale about a cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master. The tale was written at the close of the seventeenth century by Charles Perrault (1628–1703), a retired civil servant and member of the Académie française.[1] The tale appeared in a handwritten and illustrated manuscript two years before its 1697 publication by Barbin in a collection of eight fairy tales by Perrault called Histoires ou contes du temps passé.[2][3] The book was an instant success and remains popular today.[1]


At one of my favorite art websites, there is an entertaining viewpoint on the Puss in Boots tale. Click here. 

A morality tale for our troubled economic times, perhaps?



"If you will only get me a strong game bag and a pair of boots," said the cat, "I will show you some things that you do not know."


 The two illustrations above came from:
Golding, Harry, editor. Fairy Tales. Margaret Tarrant, illustrator. London: Ward, Lock & Co., 1915.


 Maxfield Parrish
"May it please your royal highness, I have brought you a rabbit which my master sends you as a token of his love."
"Your master! Who is he?"
"The Marquis of Carabas, sir," said the cat, and he bowed very low.



When Puss was led into the ogre's hall, he was surprised to see so savage a monster...

If you don't remember the tale's ending, you'll have to follow the link to read it. But if you don't want to, rest assured that they...

lived happily ever after    ;-)


Monday, March 8, 2010

Fragments of Fairytales (an occasional feature)

I came upon these delightful illustrations by Arthur Rackham for J.M. Barrie's book Peter Pan in Kensington Gardens. I hope you enjoy them. Many thanks to the author of the site Art Passions for the collection of illustrations and to fullbooks.com for the free ebook version of the novel, from which I borrowed the excerpts. It's a short story and if you tend toward the fanciful, as I do, you will enjoy it, also!

As you will see, Barrie and Rackham's Peter is a far cry from the animated Disney character.



The story takes place in Kensington Gardens, a famous park in London, mostly after "Lock-Out Time", described by Barrie as the time at the end of the day when the park gates are closed to the public. After this time the fairies, and other magical inhabitants of the park, can move about more freely than during the daylight, when they must hide from ordinary people.

In Peter Pan in Kensington Gardens, J.M. Barrie first created Peter Pan as a baby, living a wild and secret life with birds and fairies in the middle of London. Later Barrie let this remarkable child grow a little older and he became the boy-hero of Neverland, making his first appearance, with Wendy, Captain Hook, and the Lost Boys, in Peter and Wendy. The Peter Pan stories were Barrie's only works for children but, as their persistent popularity shows, their themes of imaginative escape continue to charm even those who long ago left Neverland.

Well, Peter Pan got out by the window, which had no bars. Standing on
the ledge he could see trees far away, which were doubtless the
Kensington Gardens, and the moment he saw them he entirely forgot that
he was now a little boy in a nightgown, and away he flew, right over
the houses to the Gardens. It is wonderful that he could fly without
wings, but the place itched tremendously, and, perhaps we could all
fly if we were as dead-confident-sure of our capacity to do it as was
bold Peter Pan that evening.

Because the fairies are afraid of him, Peter, still believing he can fly, does so to the little island across  Serpenstine Lake to consult with Solomon Caw,who tells him:

Then I shan't be exactly a human?" Peter asked. 
"No".
"Nor exactly a bird?"
"No."
"What shall I be?"
"You will be a Betwixt-and-Between," Solomon said, and certainly he
was a wise old fellow, for that is exactly how it turned out.


Once he learns that he really can no longer fly, Peter, with the help of the birds, fashions a boat on which to get back across the Serpentine Lake and back to Kensington Gardens, which he so dearly misses.


It is frightfully difficult to know much about the fairies, and almost
the only thing known for certain is that there are fairies wherever
there are children. Long ago children were forbidden the Gardens, and
at that time there was not a fairy in the place; then the children
were admitted, and the fairies came trooping in that very evening.
They can't resist following the children, but you seldom see them,
partly because they live in the daytime behind the railings, where you
are not allowed to go, and also partly because they are so cunning.
They are not a bit cunning after Lock-out, but until Lock-out, my
word!


The fairies are exquisite dancers, and that is why one of the first
things the baby does is to sign to you to dance to him and then to cry
when you do it. They hold their great balls in the open air, in what
is called a fairy-ring. For weeks afterward you can see the ring on
the grass. It is not there when they begin, but they make it by
waltzing round and round. Sometimes you will find mushrooms inside
the ring, and these are fairy chairs that the servants have forgotten
to clear away. The chairs and the rings are the only tell-tale marks
these little people leave behind them, and they would remove even
these were they not so fond of dancing that they toe it till the very
moment of the opening of the gates. David and I once found a
fairy-ring quite warm.

 The Fairies would hide until dusk


The fairies, no longer afraid of Peter, dance to the music of his pipes...

and later, teach him to fly again, so that he may go back home to be with his mother.

The way they
gave him power to fly was this: They all tickled him on the shoulder,
and soon he felt a funny itching in that part and then up he rose
higher and higher and flew away out of the Gardens and over the
house-tops.

There is a statue of Peter Pan in Kensington Gardens. The statue was erected in secret during the night and 'magically' appeared on 1st May 1912.
There was no publicity before the statue's arrival and on the day, Barrie placed this announcement in The Times:
"There is a surprise in store for the children who go to Kensington Gardens to feed the ducks in the Serpentine this morning. Down by the little bay on the south-western side of the tail of the Serpentine they will find a May-day gift by Mr J.M. Barrie, a figure of Peter Pan blowing his pipe on the stump of a tree, with fairies and mice and squirrels all around. It is the work of Sir George Frampton, and the bronze figure of the boy who would never grow up is delightfully conceived."

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