An art movement which rejected the purely visual realism of the Impressionists, and the rationality of the Industrial Age, in order to depict the symbols of ideas. Influenced by Romanticism and the Pre-Raphaelite Brotherhood, it thrived in France in the late nineteenth century, its influence spreading throughout much of Europe. Rather than the precise equivalents of ideas or emotions, its symbols were meant to be more mysterious, ambiguous suggestions of meanings. The work of one group, including Piérre Puvis de Chavannes (French, 1824-1898), Gustave Moreau (French, 1826-1898), and Odilon Redon (French, 1840-1916), took a literary approach, employing some of the imagery of Symbolist writers, including such icons as severed heads, monsters and glowing or smoky spirits, synthesized from elements of Bible stories and ancient myths. Later, the imaginative incongruities in these works were to influence the Surrealists. Another group, taking a formal approach, in which linear stylizations and innovative uses of color produced emotional effects, included Paul Gauguin (French, 1848-1903), Vincent van Gogh (Dutch, 1853-1890) and the Nabis.
French
The Buddha
Red Sphinx
French
Oedipus and the Sphinx
The Dead Poet Borne by a Centaur
Salome
clicking on the link above will take you to the Art History Archive entry for Franz Von Struck
February 24, 1863 - August 30, 1928)
German
Symbolist/Art Nouveau, painter, sculptor, engraver and architect
Salome
The Angel
