Fishing Guy: Thanks. The only image in this post that is mine is the one that says "Pagan Sphinx photo" under it. The other images are culled from the internet. Thanks for you visit!
I think Maillol captures the youthful fullness and fresh solid weight of his models. Without fussy detail he makes them seem more real, more present, than most sculpture or painting. Bronze seems like a perfect medium for these - the smooth polish, the dark color, emphasizes the curves, masses, and intersections which plainly fascinated him and gives a timelessness, a permanence that contrasts strongly (for me) with the rapid passing of youth.
I have to admit, though, that my favorite is the painting with the blue and white cloth radiating out from her hand and breasts. I love all the movement, and the contrast of the cloth with the deep warm tones of her skin. And all those echoes, like the repeated waves of color in the drapery - in the upper left the cloth, ochre shape, hair, profile - and the soft upcurved red profile of her lips and of her right nipple...
There is a respect for and awe of the female form that reminds me of Renoir. But where Renoir's nudes always seem to be smiling, or on the verge of smiling (of laughter, even), and seem to be comfortably in the viewer's company, Maillol's nudes seem to be in solitude, and have the silent gravity of introspection. There is an intensity instead of Renoir's sunny warmth. Renoir's subjects seem to be young mothers, or looking to have babies of their own soon, where Maillol's women give me no such impression.
Thanks for posting these. I hadn't seen this many of his works at once before.
Oh how nice! The Friday evening nudes are back. I like the paintings rather more than the sculptures but I find I usually do. I've met a few artists whose work goes from soft and dreamy when they paint to constructionist in sculpture. Only a few have been able to pull off both media to my satisfaction - ie, Michelangelo. I have high standards :-)
Thank you for taking the time to say you've been here.
I am sorry to say that I don't publish anonymous comments unless I know you through your initials, first name or blog name. I don't publish comments that have ANY kind of commercial or 'for sale' links.
"When the Amherst sphinx styled herself a pagan, she meant she didn’t believe in the biblical God. What sort of deity, if any, she did believe in is hard to pinpoint." -- Gary Sloan, "Emily Dickinson: Pagan Sphinx,"
I believe that the images and writing posted here fall under the "fair use" section of the U.S. copyright law http://www.copyright.gov/title17/92chap1.html#107, as they are intended for educational purposes and are not in a medium that is of commercial nature.
Lovely (chunky) women!! Just like me.
ReplyDeleteI meant I'm chunky - not lovely - LOL!!!
ReplyDeletepowerful
ReplyDeleteAloha from Waikiki
Comfort Spiral
PS: Neat captures of the beautiful art forms.
ReplyDeleteCloudia and Kenju: I'm glad you enjoyed this set!
ReplyDeleteFishing Guy: Thanks. The only image in this post that is mine is the one that says "Pagan Sphinx photo" under it. The other images are culled from the internet. Thanks for you visit!
I think Maillol captures the youthful fullness and fresh solid weight of his models. Without fussy detail he makes them seem more real, more present, than most sculpture or painting. Bronze seems like a perfect medium for these - the smooth polish, the dark color, emphasizes the curves, masses, and intersections which plainly fascinated him and gives a timelessness, a permanence that contrasts strongly (for me) with the rapid passing of youth.
ReplyDeleteI have to admit, though, that my favorite is the painting with the blue and white cloth radiating out from her hand and breasts. I love all the movement, and the contrast of the cloth with the deep warm tones of her skin. And all those echoes, like the repeated waves of color in the drapery - in the upper left the cloth, ochre shape, hair, profile - and the soft upcurved red profile of her lips and of her right nipple...
There is a respect for and awe of the female form that reminds me of Renoir. But where Renoir's nudes always seem to be smiling, or on the verge of smiling (of laughter, even), and seem to be comfortably in the viewer's company, Maillol's nudes seem to be in solitude, and have the silent gravity of introspection. There is an intensity instead of Renoir's sunny warmth. Renoir's subjects seem to be young mothers, or looking to have babies of their own soon, where Maillol's women give me no such impression.
Thanks for posting these. I hadn't seen this many of his works at once before.
they're all beautiful
ReplyDeleteI really like the 4th one down
the color, the lines
her hand is so lovely
thanks for sharing lady
hugs
Steve - thanks for your free-flowing descriptions. I always enjoy the touches you add to your comments on the art. The sculpture is my favorite.
ReplyDeleteKenju: you ARE lovely! So stop it! :-)
Dianne: You bet! Hugs to you too
Excellent! another artist I did not know before. THanks!
ReplyDeleteOh how nice! The Friday evening nudes are back. I like the paintings rather more than the sculptures but I find I usually do. I've met a few artists whose work goes from soft and dreamy when they paint to constructionist in sculpture. Only a few have been able to pull off both media to my satisfaction - ie, Michelangelo. I have high standards :-)
ReplyDelete