Showing posts with label Woman Artists. Show all posts
Showing posts with label Woman Artists. Show all posts

Thursday, June 9, 2011

Art Foraging - The Latest Catch

Art foraging on the web...sometimes remarkable; always eclectic.



Maryna Baranovka's work reminds me a bit of Linda's at Vulture Peak Muse


Rockwell seems out of place among these innovative, contemporary artists but I couldn't resist including this painting I'd either never seen before or never noticed. I love the perspective from above. When I see such great work from Norman Rockwell, I am reminded of what an amazing illustrator he really was. ~P.S.


 Ebb and Flow
 New York
 Richard Long: Flow and Ebb opens with an overwhelming and head-tilting painting on the gallery’s double-height, first floor wall. Created specifically for the space, the painting comprises an immense black circle, which is cut by an arc of light-brownish mud. Nearly spanning the entire wall, the work pushes the gallery-goer back on order to take it all in.  The rest is here at Art Culture.


 Alex Bag
Le Cruel e Curieux Vie Du La Salmonellapod
2000 video still
 (straaaaaaaange! As is much of the video art I've seen at MoMA and Mass MoCA)

 A Whore in the Kitchen
2011

Saturday, May 28, 2011

Surrealistic Sunday - Leonora Carrington (April 6, 1917 - May 25, 2011)


~~~~~~~~~~~~~

I had a completely different post ready for this feature, until I saw the news on Friday that Leonora Carrington died at the age of 94.

Leonora Carrington  was a British-born Mexican surrealist painter and novelist. She was the lover and muse to Max Ernst, one of the main founders of the surrealism movement. Read more here, at Art Knowledge News. And the obituary in The Guardian.




"I didn't have time to be anyone's muse... I was too busy rebelling against my family and learning to be an artist." --Leonora Carrington, 1983

Sunday, September 12, 2010

Surealistic Sunday

In the 1930s Surrealism spread like wildfire across Europe, led by Dalí, Magritte and Miró. Danish Surrealists from Wilhelm Freddie and Richard Mortensen to Heerup and Jorn were influenced by the international wave. More at Art Knowledge News.



Danish Surrealist
(1904-1998)

Sunday, March 28, 2010

Artist of the Week: Louise Bourgeois b. 1911

" My emotions are disproportionate to my size. My emotions are my demons."
~ Louise Bourgeois


LOUISE BOURGEOIS: THE SPIDER, THE MISTRESS AND THE TANGERINE is a cinematic journey inside the world of a legend of modern art and an icon of feminism. Onscreen, the nonagenarian Louise Bourgeois is magnetic, mercurial and emotionally raw--an uncompromising artist whose life and work are imbued with her ongoing obsession with the mysteries of childhood. Her process is on full display in this intimate documentary, which features the artist in her studio and with her installations, shedding light on her intentions and inspirations. Louise Bourgeois has for six decades been at the forefront of successive new developments, but always on her own powerfully inventive and disquieting terms. In 1982, at the age of 71, she became the first woman to be honored with a major retrospective at New York's Museum of Modern Art. In the decades since, she has created her most powerful and persuasive work, including her series of massive spider structures that have been installed around the world. Filmed with unparalleled access between 1993 and 2007, LOUISE BOURGEOIS: THE SPIDER, THE MISTRESS AND THE TANGERINE is a comprehensive and dramatic documentary of creativity and revelation.

LOUISE BOURGEOIS: THE SPIDER, THE MISTRESS AND THE TANGERINE: Movie Trailer - Watch more top selected videos about: Movie_Trailers, Louise_Bourgeois:_The_Spider,_The_Mistress_And_The_Tangerine, Louise_Bourgeois, Marion_Cajori




Spirals abound in Louise Bourgeois’s art. She says they make her think of control and freedom, and of strangling someone...








Spiral Woman
 




Louise with Spider IV, in 1996.





Bourgeois is best known for these sculptures and casts of giant spiders. There is a meaning in there. 

"My best friend was my mother.  She was deliberate, clever, patient, soothing, reasonable and dainty, subtle, indispensable, neat and useful as a spider." 

 Modern and contemporary art sometimes takes knowing something about the artist. Bourgeois fascinates me:  both in her work and in her independent energy and spirit. I'm currently reading a book I picked up at the Williams museum store called The Runaway Girl. 

 Maman
Installed outside the Ottawa National Gallery
  "subtle", huh? hehehe  :-)
 Do You Love Me?


The Blind Leading the Blind
1947-49
wood construction and paint
" If I was to have a museum, I don't think I'd have any words on the wall at all. I want people to have a visual experience. I would show what I am working on now. "

 Spider Home

 This small sculpture is more fitting of the quote above and my favorite of the spiders Bourgeois created.


"...all my work in the past fifty years, all my subjects, have found their inspiration in my childhood.  My childhood never lost its magic, it has never lost its mystery, and it has never lost its drama."
~LB



Blind Man's Buff


 Femme Maison, 1946-47
Louise Bourgeois: Between Body and Anti-Body 


The spiral is glass, this time, hanging from the ceiling of the Guggenheim in NYC.

I recently had the pleasure of photographing the nine piece installation depicted below, which decorates a parking island in front of the Williams College Museum of Art. All of the pieces are depicted in my photographs of the exhibition by clicking here. See this post for other photos of these sculpture series.



The following three photos are my own, taken a couple of years ago at the MoMA, NYC.



 Quarantania

Wednesday, March 24, 2010

Women's History Month and Artist of the Week

"Well-behaved women seldom make history."
~ Laurel Thatcher Ulrich


This week,honoring American Impressionist painter Mary Cassatt


Mary Cassatt
Self Portrait
1878
gouche on paper 23x17in
Metropolitan Museum of Art, NY


 May 22, 1844 – June 14, 1926) was an American painter and printmaker. She lived much of her adult life in France, where she first befriended Edgar Degas and later exhibited among the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children. see entire wiki entry here







From Mary Cassatt: The Complete Works:

Even though her family objected to her becoming a professional artist, Cassatt began studying painting at the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania, at the early age of fifteen, and continued her studies during the years of the American Civil War. Part of their concern may have been Cassatt's exposure to feminist ideas and the bohemian behavior of some of the male students, of which one was Thomas Eakins, later the controversial director of the Academy. About 20% of the students were female. Though most were not bent on making a career of art, they viewed art as a valid means of achievement and recognition, and a socially valuable talent. Cassatt, instead, was determined to become a professional artist.




 
Cassatt admired Degas, whose pastels had made a powerful impression on her when she encountered them in an art dealer's window in 1875. "I used to go and flatten my nose against that window and absorb all I could of his art," she later recalled. "It changed my life. I saw art then as I wanted to see it." 


 In 1891, she exhibited a series of highly original colored drypoint and aquatint prints, including Woman Bathing and The Coiffure, inspired by the Japanese masters shown in Paris the year before. (See Japonism) Cassatt was attracted to the simplicity and clarity of Japanese design, and the skillful use of blocks of color. In her intrepretation, she used primarily light, delicate pastel colors and avoided black (a "forbidden" color
Painted in Seville, Spain, this picture depicts a young woman serving a refreshing panale (honeycomb or sponge sugar dipped in water) to a bullfighter. Cassatt had traveled to Spain to study the work of Old Masters. With its bold handling of paint and rich colors, Offering the Panale demonstrates the influence of such seventeenth-century painters as Diego Velázquez.
Note: Though I detest bullfighting (despite my Iberian roots), I love this painting. The flirtateous stances of the bullfighter and the young woman and the way Cassatt was able to capture the essence of the bullfighter's doubtless superiority! The painting is also a very familiar one, as I've seen it dozens of times at the Clarke Art Institute in Williamstown, Massachusetts. The bold color is amazing.


The above work by Mary Cassatt is also at the Clarke

More works by Mary Cassatt


The Boat Ride
(larger)





Saturday, February 6, 2010

What Artist Would You Choose to Paint Your Portrait Part II

In this post, What Artist Would You Choose to Paint Your Portrait, I asked my readers and blog pals to give me the names of artists (living or dead) whom they would choose to paint their portrait.

Since then, I've received responses from more folks.  Flor Larios, an artist herself and proprietor of the Etsy shop Flor Larios Art, comes a request for a portrait by either her inspiration Frida Khalo or by Gaugin. You'll love Flor's beautiful Mexican inspired paintings, prints, boxes and other artworks. I've purchased a couple of prints as gifts and some beautiful note cards for Christmas.

While it's true that Frida mostly painted self-portraits, I'm particular fond of this portrait of her sister Cristina Khalo:


My Sister Cristina Khalo
1928


My Sister Cristina Khalo
Detail

And also for Flor, a favorite Gaugin of mine. With her long, dark hair, she would make a perfect subject in a Gaugin painting.

Three Tahitians
1899 


Steve of the blog Color Sweet Tooth, also a fine artist, said that if Friedensreich Hundertwasser painted portraits, he would be his choice. This is the closest I came to anything resembling a portrait. Thanks, Steve, as I'd never heard of him. Incredibly good stuff to sink my head into in the very near future.




Steve also thought of Klimt. I thought of Klimt too. What woman wouldn't think of Klimt to paint her portrait.  But finding any portrait of a man by Klimt proved to be difficult. Here is one I found:


Joseph Pembauer
Pembauer was a pianist and piano teacher of the times in Vienna. The frame is also A Klimt design. I believe this is a glicee print.

And because Klimt's portraits of women are so extraordinary, I leave it to your imagination how he may have painted a male portrait in the same vein in this one, without the woman. Just a thought.



Libhom chose Man Ray, who is also a huge favorite of mine. Here is a sample:



Cloudia of wasn't fussy about who should paint her portrait as long as she was painted as a nymph. What exactly is a nymph, you ask? There are many. Read up on them here. Depicted here, however, is a particular kind of nymph called a Haliai.


Haliai
Quite simply, sea nymphs. They show up under this name in a random play by Sophocles and in Callimachus' Hymn to Artemis (read it!), but doesn't seem to be as commonly used as the more general "nymph" or the more specific "Nereid" or "Oceanid". Haliai comes from the word for "sea" and also means "salt". Oh, for a moment of amusement,  glance to the right at the poll results. I'm really curious about who has had their portrait painted and by whom. Come on! Fess up!  ;-) I was the only one who voted that I would have to think about it.  I had such a hard time choosing just one portrait. There were so many, for the various stages of my life; finally settling on Mona Lisa. I can't give Mona up...   I hope you're having a good Saturday. Peace, love and all groovy things, Pagan Sphinx

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