G if for George Grosz
(July 26, 1893 – July 6, 1959)
German-born, American artist known for painting, drawing and caricatures
(July 26, 1893 – July 6, 1959)
German-born, American artist known for painting, drawing and caricatures
George Grosz gave a fantastic testimony of Berlin life during a terrible period, divided between fascism and communism. He was active in the communist party but had an anarchist’s fascination for the characters of underground life. Military figures, prostitutes and violence abound, and fascinate the viewer.
Self-Portrait
The Love Sick Man
1916
The Suicide
1916
In 1921 his album "Gott mit uns" (God with us) brought Grosz charges of defaming the Reichswehr (army); in 1924 he was prosecuted for offences against public morality by his album "Ecce Homo" (the album was confiscated as being pornographic); in 1928 for his drawing "Shut up and keep serving the cause" he was accused of blasphemy. All these scandals only helped consolidate his fame. Olga's Gallery
Self-Portrait
The Love Sick Man
1916
The Suicide
1916
In 1921 his album "Gott mit uns" (God with us) brought Grosz charges of defaming the Reichswehr (army); in 1924 he was prosecuted for offences against public morality by his album "Ecce Homo" (the album was confiscated as being pornographic); in 1928 for his drawing "Shut up and keep serving the cause" he was accused of blasphemy. All these scandals only helped consolidate his fame. Olga's Gallery
1921
Remembering Uncle August
1919
The White Slave
1918
"I don't even like to talk about it. I hated being a number and not merely because I was a very small one. I let them bellow at me for just as long as it took me to find enough pluck to bellow back at them."
Eclipse of the Sun
1926
Artist and Model
1928
In the early 1930's, Grosz was invited to lecture at the Arts Student League in NY, after being forced to flee from Nazi Germany. In 1938, Grosz's wife and sons joined him. He became a naturalized citizen in 1938.
Here is what Grosz had to say about that period of work in the United States:
"My motto was now to give offense to none and be pleasing to all. Assimilation is straightforward once one overcomes the greatly overvalued superstition concerning character. To have character generally means that one is distinctly inflexible, not necessarily for reasons of age. Anyone who plans to get ahead and make money would do well to have no character at all. The second rule for fitting in is to think everything beautiful! Everything – that is to say, including things that are not beautiful in reality."
Note: I had a difficult time finding an example of what Grosz may have meant when he referred to work with "no character" , which appears to distinguish his period of work in from the early 1930's until just before his return to Berlin in the late 1950's. I found an image of the painting below, which may or may not be what he was referring to and what critics called an uninteresting time in his career. Certainly, his early paintings are the stand-outs, in my opinion. But then again, I am a huge fan of expressionism and I find the Dad movement fascinating.
Nude in the Dunes
1948
Eva Grosz
(the artist's wife)
1940
The Survivor" by George Grosz
1944
Private Collection
"I had grown up in a humanist atmosphere, and war to me was never anything but horror, mutilation and senseless destruction, and I knew that many great and wise people felt the same way about it. "
George Grosz
"The war was a mirror; it reflected man's every virtue and every vice, and if you looked closely, like an artist at his drawings, it showed up both with unusual clarity."
George Grosz
Exposición de Pintura blog
George Grosz
"The war was a mirror; it reflected man's every virtue and every vice, and if you looked closely, like an artist at his drawings, it showed up both with unusual clarity."
George Grosz
Exposición de Pintura blog
ABC Wednesday
Look it up here

.







