Showing posts with label Janet Fish. Show all posts
Showing posts with label Janet Fish. Show all posts

Wednesday, January 7, 2009

A Visit to the Smith College Museum of Art



This college campus museum, in bucolic western Massachusetts, is one of our local art treasures. With a nice sampling of art, it offers more than the typical number of art works by women. Here is a sampling of the works I most enjoyed. I threw in two of Robert Motherwell's paintings for Steve. Examining the Motherwell paintings in real life (for the first time; because truthfully, I used to just walk pass them) gave me a greater appreciation of his work. I still can't say I'm a huge fan but I do see the emotion in them and sometimes even playfulness and glee.

I apologize for the glare on the photos of the paintings. It was difficult for me to avoid due to both a lack of expertise with a camera and the lighting in the building.



Hopper
WP told me that this Northampton, Massachusetts mansion was the setting for the film Who's Afraid of Virginia Woolf.


Robert Motherwell

Degas

Seurat
Woman with a Monkey

small panel of a study for A Sunday Afternoon on the Island of La Grande Jatte


Beaugereau

click to enlarge and notice the details
(I loved this one)

Emma Amos

One Who Watches

1995


(another favorite "new artist discovery")

Carmen Lomas Garza

The Blessing on Wedding Day
1993


Mary Bauermeister
Eighteen Rows
1962-1968

Margarita Azurdia
La Libertad
1970-1974

More photos of this visit can be viewed on my Picassa web album.

I hope you're staying warm and dry. And if you live somewhere sunny and mild, I don't want to hear about it unless I can come visit! ;-)

Friday, November 7, 2008

The Friday Evening Nudes

Janet Fish


Diego Velázquez.
Venus at Her Mirror
c. 1644-48



Charles Edward Boutibonne
Sirens
French
1816-1897


Boucher
Odalisk



“The buttocks are the most aesthetically pleasing part of the body because they are non-functional. Although they conceal an essential orifice, these pointless globes are as near as the human form can ever come to abstract art.”

Kenneth Tynan (English theatre Critic, 1927-1980)


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